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      <image:title>Book Events - Dorinne Kondo discusses her book with Viet Thanh Nguyen.</image:title>
      <image:caption>June 17, 2019 at 7:00pm VROMAN’s Bookstore - 695 E. Colorado Boulevard, Pasadena, CA 91101 Worldmaking: Race, Performance, and the Work of Creativity (Paperback) By Dorinne Kondo ISBN: 9781478000945 Published: Duke University Press - December 27th, 2018 Watch the Conversation with Viet Here. WAtch the presentation of “Seamless” here.</image:caption>
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      <image:title>Book Events - Dorinne Kondo and friends at The Last Bookstore</image:title>
      <image:caption>453 S Spring Street, Los Angeles, CA 90013 August 22, 2019 at 7:30pm sharing excerpts from her new book, Worldmaking: race, performance and the work of creativity, including live performances of selected scenes from Seamless, her full length play about the emotional afterlife of Japanese American incarceration, and contained in full within Worldmaking. Pre-buy Worldmaking right here, and let us know you’re coming!</image:caption>
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      <image:title>Invited Lectures - Reparative Arts in Community Engagement (RACE) Conference</image:title>
      <image:caption>Keynote speaker From the RACE Conference website: “Drawing on Dorinne Kondo’s (2018) concept of ‘reparative creativity’, we understand reparative arts as the processes (methodologies/pedagogies) and/or products (visual, audio, performance) designed to present a call-to-action for change to systemic and/or structural causes of inequity and injustice in our society by amplifying community solutions towards repair and healing.”</image:caption>
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      <image:title>Invited Lectures - Worldmaking: Gender, Race, Place</image:title>
      <image:caption>KEYNOTE Speaker organized by the UCLA Practice-Based Experimental Epistemology Research (PEER) Lab</image:caption>
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      <image:caption>Presented as part of the aesthetics and politics series</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Invited Lectures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b916339506fbe44697a02bf/c0e48f81-ebd5-4918-9dd2-e255fc2b97f8/harvard+lecture+with+viet.jpeg</image:loc>
      <image:title>Invited Lectures - “A Conversation with Dorinne Kondo and Viet Thanh Nguyen”</image:title>
      <image:caption>October 18th, 2023 Included in discussion series, “Notes From The Field and the Archive," which concerns how all of us – faculty, students, and staff – might better address issues of power and privilege in our classrooms and build a more equitable and inclusive community in the english Department.</image:caption>
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  <url>
    <loc>https://dorinnekondo.com/new-page-2</loc>
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    <lastmod>2019-09-09</lastmod>
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      <image:title>Crafting Selves</image:title>
      <image:caption>"The ethnography of Japan is currently being reshaped by a new generation of Japanologists, and the present work certainly deserves a place in this body of literature. . . . The combination of utility with beauty makes Kondo’s book required reading, for those with an interest not only in Japan but also in reflexive anthropology, women’s studies, field methods, the anthropology of work, social psychology, Asian Americans, and even modern literature."—Paul H. Noguchi, American Anthropologist "Kondo’s work is significant because she goes beyond disharmony, insisting on complexity. Kondo shows that inequalities are not simply oppressive-they are meaningful ways to establish identities."—Nancy Rosenberger, Journal of Asian Studies</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://dorinnekondo.com/worldmaking-testimonials</loc>
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    <lastmod>2020-09-13</lastmod>
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    <loc>https://dorinnekondo.com/new-page-1</loc>
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    <lastmod>2019-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b916339506fbe44697a02bf/1567986649818-CCYNPTUEBG1HR53A8D3T/about+face.jpg</image:loc>
      <image:title>About Face</image:title>
      <image:caption>from the runaways of Paris to the casting controversies over Miss Saigon, from a local demonstration at the Claremont Colleges in California to the gender-blending of M. Butterfly, About Face examines representations of Asia and their reverberations in both Asia and Asian American lives. Japanese high fashion and Asian American theater become points of entry into the politics of pleasure, the performance of racial identities, and the possibility of political intervention in commodity capitalism. Based on Kondo's fieldwork, this interdisciplinary work brings together essays, interviews with designer Rei Kawakubo of Comme des Garçons and playwright David Henry Hwang, and "personal" vignettes in its exploration of counter-Orientalisms.</image:caption>
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    <lastmod>2024-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b916339506fbe44697a02bf/1567986283512-82TO6FP3QA47PJIN3XA5/worldmaking.jpg</image:loc>
      <image:title>Worldmaking</image:title>
      <image:caption>In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchantly analyze theater's work of creativity as theory: acting, writing, dramaturgy. Race-making occurs backstage in the creative process and through economic forces, institutional hierarchies, hiring practices, ideologies of artistic transcendence, and aesthetic form. For audiences, the arts produce racial affect--structurally over-determined ways affect can enhance or diminish life. Upending genre through scholarly interpretation, vivid vignettes, and Kondo's original play, Worldmaking journeys from an initial romance with theater that is shattered by encounters with racism, toward what Kondo calls reparative creativity in the work of minoritarian artists Anna Deavere Smith, David Henry Hwang, and the author herself. Worldmaking performs the potential for the arts to remake worlds, from theater worlds to psychic worlds to worldmaking visions for social transformation.</image:caption>
    </image:image>
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    <lastmod>2021-07-15</lastmod>
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      <image:title>Home - OUT NOW</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <loc>https://dorinnekondo.com/creativity-theory-politics</loc>
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    <lastmod>2021-07-27</lastmod>
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    <lastmod>2021-07-27</lastmod>
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    <lastmod>2021-07-27</lastmod>
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    <loc>https://dorinnekondo.com/in-the-media</loc>
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    <lastmod>2021-07-27</lastmod>
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    <loc>https://dorinnekondo.com/new-page-8</loc>
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    <lastmod>2021-07-27</lastmod>
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    <loc>https://dorinnekondo.com/reviews</loc>
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    <lastmod>2021-07-27</lastmod>
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    <loc>https://dorinnekondo.com/worldmaking-symposium</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-06-22</lastmod>
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    <loc>https://dorinnekondo.com/podcast</loc>
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    <lastmod>2024-03-04</lastmod>
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      <image:title>Podcast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b916339506fbe44697a02bf/1af204aa-1748-4e17-b9bc-6c2622a40ea5/Episode+3+Poster+%281%29.png</image:loc>
      <image:title>Podcast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
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    <loc>https://dorinnekondo.com/athe</loc>
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    <lastmod>2022-06-22</lastmod>
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    <lastmod>2025-05-09</lastmod>
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      <image:title>Title</image:title>
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